How To Write About the Tea Party, Continued

0
650

In my last post, I chided Harvard writers for the way they tend to write about the Tea Party. I said that our focus was too small. But that raises the question: What are my counterexamples? For this post, I thought I’d highlight some excellent writing on the Tea Party done by some of the most interesting intellectuals in America. This isn’t a pissing match (as it were) between the HPRgument and the professional writer class in America. I just thought it’d be kinda interesting.
Jill Lepore, The Whites of their Eyes

Whatever else had drawn people into the movement—the bailout, health care, taxes, Fox News, and, above all, the economy—some of it, for some people, was probably discomfort with the United States’ first black president, because he was black. But it wasn’t the whiteness of the Tea Party that I found most striking. It was the whiteness of their Revolution. The Founding Fathers were the whites of their eyes, a fantasy of an America before race, without race. There were very few black people in the Tea Party, but there were no black people at all in the Tea Party’s eighteenth century. Nor, for that matter, were there any women, aside from Abigail Adams, and no slavery, poverty, ignorance, insanity, sickness, or misery. Nor was there any art, literature, sex, pleasure, or humor. There were only the Founding Fathers with their white wigs, wearing their three-cornered hats, in their Christian nation, revolting against taxes, and defending their right to bear arms….
The scholarship academic historians have written since the 1960s, uncovering the lives of ordinary people and examining conflict among groups and especially races, sexes, classes, and nations, was not without substantial shortcomings. Critics, both within and outside the academy, had charged scholars of American history not only with an inability to write for general readers and an unwillingness to examine the relationship between the past and the present, but also with a failure to provide a narrative synthesis, to tell a big story instead of many little ones. Those criticisms were warranted. They were also criticisms academic historians had made of themselves. Scholars criticize and argue—and must, and can—because scholars share a common set of ideas about how to argue, and what counts as evidence. But the far right’s American history—its antihistory—existed outside of argument and had no interest in evidence. It was much a fiction as the Lost Cause of the Confederacy, reductive, unitary, and, finally, dangerously antipluralist.60 It erased slavery from American history and compressed a quarter century of political contest into “the founding,” as if ideas worked out, over decades of debate and fierce disagreement, were held by everyone, from the start. “Who’s your favorite Founder?” Glenn Beck asked Sarah Palin. “Um, you know, well,” she said. “All of them.”

Six more.

Kevin Drum, “Tea Party: Old Whine, New Bottles

All of this points in one direction. The growth of the tea party movement isn’t really due to the recession (in fact, polling evidence shows that tea partiers are generally better off and less affected by the recession than the population at large). It’s not because Obama is black (white Democratic presidents got largely the same treatment). And it’s not because Obama bailed out General Motors (so did George W. Bush). It’s simpler. Ever since the 1930s, something very much like the tea party movement has fluoresced every time a Democrat wins the presidency, and the nature of the fluorescence always follows many of the same broad contours: a reverence for the Constitution, a supposedly spontaneous uprising of formerly nonpolitical middle-class activists, a preoccupation with socialism and the expanding tyranny of big government, a bitterness toward an underclass viewed as unwilling to work, and a weakness for outlandish conspiracy theories….
And the tea partiers? Their history hasn’t been written yet, but they have, for all practical purposes, already trumped every previous generation of activists by successfully taking over the Republican Party almost entirely. And this is, at last, something that really is new: The Liberty League was rejected by the GOP almost from the start, the Birchers were all but spent as a political force after the 1964 election debacle, and even during the ’90s there were still moderate factions in the GOP. But today, there’s virtually no one left in the party leadership who doesn’t at least claim to adhere to tea party principles. Recent polls by both Gallup and the Mellman Group (PDF) find that the views of self-identified tea party supporters are nearly identical to the views of self-identified Republicans across the board. Gallup’s analysis may go a little too far in saying that the tea party movement is “more a rebranding of core Republicanism than a new or distinct entity on the American political scene,” but not by much.

Sean Wilentz, “Confounding Fathers

The popularity of Beck’s broadcasts, which now reach two million viewers each day, has brought neo-Birchite ideas to an audience beyond any that Welch or Skousen might have dreamed of. Several times a week, Beck informs his audience that socialists (whom he also sometimes calls Fascists or Communists) led by Obama have seized power, and that patriotic Americans must take their country back. His TV show for some time featured “Comrade Updates,” in which Beck described perfidy while the Soviet anthem played in the background. He attacks all the familiar bogeymen: the Federal Reserve System (which he asserts is a private conglomerate, unaccountable to the public); the Council on Foreign Relations (born of a “progressive idea” to manipulate the media in order to “let the masses know what should be done”); and a historical procession of evildoers, including Skousen’s old target Colonel House and Welch’s old target Woodrow Wilson. His sources on these matters, quite apart from Skousen’s books, can be unreliable. On September 22nd, amid a diatribe about House, Beck cited a passage from “Secrets of the Federal Reserve,” by Eustace Mullins. The book, commissioned in 1948 by Ezra Pound, is a startlingly anti-Semitic fantasy of how a Jewish-led conspiracy of all-powerful bankers established the Federal Reserve in service of their plot to dominate the world.
Part of Beck’s allure is the promise that he will reveal secret information. In one segment last year, he produced a drawing of fasces—which he described, anachronistically, as “the Roman symbol of Fascism”—and then a picture of an old Mercury dime, with fasces on the reverse side. “Who brought this dime in? It happened in 1916—Woodrow Wilson was the President,” he said. “We’ve been on the road to Fascism for a while.” Benito Mussolini, of course, didn’t adopt the ancient symbol of authority as the Fascist emblem until the nineteen-twenties; the designer of the coin, the sculptor Adolph A. Weinman, intended it to signify the nation’s military preparedness, and paired it with an olive branch to illustrate the desire for peace.

President Obama, “Obama In Command” (Rolling Stone Interview)

I think the Tea Party is an amalgam, a mixed bag of a lot of different strains in American politics that have been there for a long time. There are some strong and sincere libertarians who are in the Tea Party who generally don’t believe in government intervention in the market or socially. There are some social conservatives in the Tea Party who are rejecting me the same way they rejected Bill Clinton, the same way they would reject any Democratic president as being too liberal or too progressive. There are strains in the Tea Party that are troubled by what they saw as a series of instances in which the middle-class and working-class people have been abused or hurt by special interests and Washington, but their anger is misdirected. And then there are probably some aspects of the Tea Party that are a little darker, that have to do with anti-immigrant sentiment or are troubled by what I represent as the president. So I think it’s hard to characterize the Tea Party as a whole, and I think it’s still defining itself.

Mark Leibovich, “Being Glenn Beck

There is something feminine about Beck — the soft features, the crying on the air, the reflexive vulnerability. It sets him apart from the standard, testosterone-addled rant artists of cable and talk radio. Women tune into Beck’s radio show more heavily than they do to other conservative commentators, says Chris Balfe, the president and chief operating officer of Mercury, which employs more than 40 people. And Beck’s television show is on at 5 p.m. Eastern, traditionally a slot with more women viewers. (On a typical day, Beck’s show is recorded on more DVRs than any other cable-news program.) But Beck also appeals to a more traditionally female sensibility. “He works through things in real time,” Balfe told me. “Maybe he’ll come back tomorrow and say, ‘You know what, I’ve given this some thought, and here’s what I’m thinking now.’ ” Or maybe he’ll come back sooner. Within a few sentences of proposing Obama’s “deep-seated hatred for white people,” he added this caveat: “I’m not saying that he doesn’t like white people.”

Ben McGrath, “The Rise of the Tea Party Movement

If there was a central theme to the proceedings, it was probably best expressed in the refrain “Can you hear us now?,” conveying a long-standing grievance that the political class in Washington is unresponsive to the needs and worries of ordinary Americans. Republicans and Democrats alike were targets of derision. “Their constituency is George Soros,” one man grumbled, and I was reminded of the dangerous terrain where populism slides into a kind of nativist paranoia—the subject of Richard Hofstadter’s famous essay linking anti-Masonic sentiment in the eighteen-twenties with McCarthyism and with the John Birch Society founder Robert Welch’s contention that Dwight Eisenhower was “a dedicated, conscious agent of the Communist conspiracy.” The name Soros, understood in the context of this recurring strain—the “paranoid style in American politics,” Hofstadter called it—is synonymous, like Rockefeller or Rothschild, with a New World Order
Michael Joseph Gross, “Sarah Palin: The Sound and the Fury
When I ask about Palin, though, a palpable unease creeps in. Some people clam up. Others whisper invitations to call later—but on this number, not that one, and not before this hour or after that one. So many people answer “Off the record?” to my initial questions that it almost seems the whole town has had media training. They certainly have issues with the press. Some tell of reporters who seduced them with promises—Don’t worry, I’ll make you look good—and then published stories that made them out to be hicks, stupid, less-than. “These were people we let into our house,” one Wasilla resident says. “We served them food.” But the real concern is with Palin herself—they don’t want her to find out they have talked with a reporter, because of a suspicion that bad things will happen to them if she does. The salty, seen-it-all bartender at one of the town’s best restaurants says, “I wish you luck—but I like my job.” Has Palin actually had people fired for talking about her?, I always ask, and the answer always comes, Remember that trooper? The reference is to Mike Wooten, a state policeman who fell out with the family after divorcing one of Sarah Palin’s sisters and ended up at the center of the scandal known as Troopergate. The Alaska Legislative Council found in 2008 that Palin “abused her power” as governor in attempting to get Trooper Wooten fired.