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Despite its historical inaccuracies, Django Unchained is entertaining in ways that only a Quentin Tarantino movie can be.
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Silver Linings Playbook Won’t Win Best Picture — But it Should
David Freed explains why the understated realism of David O. Russell's film makes it the best of the year.
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In Defense of ‘Zero Dark Thirty’
Ross Svenson responds to criticism of the depiction of torture in Kathryn Bigelow's latest film.
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Ben is Back
David Freed reviews Argo, the film that establishes Ben Affleck as a talented director and actor once and for all.
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A Royal Affair and Foreign Films at the Oscars
Barbara Halla analyzes the appeal of foreign films in the U.S.
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Moonrise Kingdom: The Masterpiece that the Oscars Ignored
Wes Anderson's newest film deserves to be nominated for the Best Picture Academy Award.
